91社区

English and Creative Writing

Benjamin Goluboff

Ben Goluboff

Professor of English

English

Specialization

American literature

Education

PhD University of Pennsylvania
MA University of Pennsylvania
BA New York University

Courses Taught

English 204 Nineteenth-Century American Literature
English 206 American Environmental Literature
English 224 Literature of the Vietnam War
English 403 Emily Dickinson

Scholarship and Criticism

" ." Literary Matters, 13.2, 2021.

" ," Literary Matters, 12:3, (Spring/Summer) 2020. 

“D.A. Lockhart and the Poetry of the Canadian Indigenous,”  South Dakota Review, 54.3&4, 2019.

“ ”  Jacket2  Fall 2018. 

With Glenn Adelson, “Emily Dickinson’s ‘Arctic flower’: Boreal Relicts and the Botanical Imagination,”  Pennsylvania English, 39.1, (2017): 7-16. 

Edited with Ioana Cornea ’16,   91社区 Press, 2016. 

“The Vietnam War: A Very Short History” in  Approaches to Teaching the Work of Tim O’Brien. New York: Modern Language Association, 2010. Purchase the book on 

“Michael Heller in Theory and Practice,”  Notre Dame Review 22 (2006): 216-220.

“Tim O’Brien’s Quang Ngai,”  American Notes and Queries 17.2 (2004): 53-58.

,” New England Quarterly 73.3 (2000): 355-385.

“The Carnival Artist in the Cuckoo’s Nest,” in  The Viking Critical Edition of One Flew Over the Cuckoo’s Nest, ed. John Clark Pratt. New York: Penguin, 1996. Reprinted from  Northwest Review 29.3 (1991): 109-122.

“‘A Virtuoso’s Collection:’ Hawthorne, History, and the Wandering Jew,”  Nathaniel Hawthorne Review 21.1 (1995): 14-25.

“Strategies of Allusion in Poetry of the Vietnam War,”  Journal of American Culture 16.3 (1993): 15-19.

“ ,”  New Orleans Review 18.2 (1991): 5-16.

“ ,”  American Studies 31.1 (1990): 65-82.

“Emerson’s English Traits: ‘The Mechanics of Conversation.’”  American Transcendental Quarterly n.s. 3.2 (1989): 153-167.

Creative Work

.’ Silver dye-bleach print. Plane Tree, Issue 4 (Nature in Crisis), 2024.

, Broadkill Review, 18.1 Winter 2024

“ ,”  Open: A Journal of Arts and Letters, January 20, 2024.

“ ,” Open: A Journal of Arts and Letters, January 19, 2024.

“ ” and “ ”.  Bear Paw Arts Journal, Issue 1, fall 2023. (With Mark Luebbers)

“ ”  River Mouth Review, Issue 14, Fall 2023.

“ ” and  “ ,” and  “ ”  Misfit Magazine no 38, Winter, 2023.

“ ”  Red Noise Collective, Winter 2023.

" " Taint Taint Taint, Summer 2022.

" ," The Rush, Spring 2022.

“ ” and " ," The Elevation Review, Spring 2022.

" ,"  Red Ogre Review,  March 2022.

“ ”  BroadkillReview, October 23, 2021. (As Cluster B. with Cat Hermes). 

" "  Misfit Magazine, Issue # 33, Fall 2021.

" ,"  45th Parallel 6, Summer 2021.

" " and " ," Share, April 22, 2021.

" ," abstractmagazinetv, March 3, 2021.

" ," The Westchester Review, Winter 2020. (with Mark Luebbers).

" ," Rockvale Review, November 2020.

" ," Paper Brigade Daily, September 21, 2020 (with Mark Luebbers).

"During the Armory Show John Quinn Suppresses a Toast," "John Quinn's Elegy," "Walker Evans, Conservator of the Ephemeral, the Hypothetical, and the Mundane," "Walker Evans Meets Ernest Hemingway, Havana, 1933," and "Walker Evans Photographs Signs," , 4 (Summer) 2020, pp. 109–17.

“ r,” “ ,” “ ”  Open: A Journal of Art and Letters, Summer 2020.

A Confession ,”  ,  Issue  81, p.17, 2020. 

t , Rise Up Review, Summer, 2020. (with Mark Luebbers).

More Archaic Torso,”   14, 2020.

” and “ ,”  Misfit Magazine, Issue 29, Spring 2020 (with Mark Luebbers).

“ ,”  Sheila Na Gig, Volume 4.2, Winter 2019.

“ ”  Open: A Journal of Arts and Letters, Fall 2019. 

“General Longstreet Responds in Print to the Passage of the First Military Reconstruction Act, 1867”  Blue Mountain Review, Issue 16, Fall 2019, p.13 (with Mark Luebbers).

“Green Men,” “John Hammond, Mythmaker,” “On a Photograph of John Hammond with Stevie Ray Vaughan and Double Trouble, 1983.”  Red Earth Review, July 2019, 60-62. 

“ ,”  The Stay Project, June 2019. 

“ .”  Sheila Na Gig, Volume 3.3, Spring 2019. 

“ ,”  Misfit Magazine, Issue 26, Spring 2019. 

“Hipster Christmas,”  , December 2018, p. 37. 

“‘Mary Lou Williams’ (Portrait Sitting) by Dennis Stock. Gelatin Silver Print,”  The Tulane Review, 2017-2018 Omnibus, p. 7. 

“ ”  The Nasiona, September 22, 2018 (with Mark Luebbers).

“ ,”  Quail Bell Magazine, August 2018. 

“Bill Evans Solos Alone,” “Bill Evans is Arrested for Heroin Possession at JFK,” and “After the Death of Scott LaFaro” in  , eds. Muench and Rader, Black Lawrence Press, 2018 (with Mark Luebbers). 

“Bill Evans Reads George Russell’s  The Lydian Chromatic Concept of Tonal Organization, 1954.”  Borderlands: Texas Poetry Review, 48, 2018 (with Mark Luebbers). 

“ ,”  The Penn Review, 50.3, Spring 2018 (with Mark Luebbers). 

“ ,”  Cordite Poetry Review, 86, Spring 2018. 

“ ,”  Belletrist, Spring 2018. 

“ ”  Unbroken Journal, issue 17, Spring 2018 (with Mark Luebbers).

“ ,”  Eastern Iowa Review, Issue 6, Spring 2018 (with Mark Luebbers). 

“In The Hebrew Cemetery of Sheboygan” in the  Mizmor Ha David annual of  Poetica Magazine, January 2018

” and “ ,”  Triggerfish Critical Review, 19, January 2018. 

“ ”  The Bookends Review, November 2017. 

“ ,”  The Bookends Review, October 2017. 

“ ,”  The Bookends Review, September 2017. 

“George Perkins Marsh on the Anthropogenic Dispersion of Seeds,” Contemporary Poetry Series (Nature and Regeneration),  Corbel Stone Press, June 2017

“Environmental Studies,” The  Al Magre Review, Issue 3, Summer 2017, p. 11. 

“ ,”  Chicago Literati, June 6 2017. 

“ ” and “ ,”  Misfit Magazine, Issue 21, Summer 2017. 

“ ,”  Bird’s Thumb, June 2017. 

“Leiber and Stoller’s Magnum Opus” and “Jimmy Witherspoon Buys Leiber and Stoller’s Second Commercial Release,”  , issue 6 spring 2017, pp. 87-88. 

“ ,”  Unbroken Journal, volume 13, Spring 2017.

“ ,”  The Museum of Americana, Spring 2017.

“Curtis LeMay Interviewed c. 1983: A Remix” and “Curtis LeMay Plans to Strike First” in   Pasadena: Shabda Press, 2017. 

“ ” and “ ,”  The Courtship of Winds, Winter 2017.

“ ”  Vending Machine Press, #17 2016.

“Biking Englewood: an Essay on the White Gaze,”  The Blackstone Review, Issue 4, 2016. 

“ ,”  War Literature and the Arts, volume 28, 2016.

“Ho Chi Minh’s English,” in  , ed. John Pierce, Amazon CreateSpace, 2016. 

“Guerrilla Gardening; Chicago, North Side,”  The Fourth River, September, 2016.

“ ” and “ ”  District Lit, September 2016. 

“ ,”  Vending Machine Press, #16, 2016. 

“Glamour” and “Fugue State,”  Tiny Poetry: Macropoetics, July 15, 2016. 

“ ”  Bird’s Thumb, June 2016. 

 Literary Orphans  24, April 2016. 

“Curtis LeMay’s Counterlives with Amelia Earhart.”  Chicago Literati, April 12, 2016. 

“Curtis LeMay, His Cigar” and “Home on Leave, Siegfried Sassoon Hallucinates Corpses in Picadilly.”  Kentucky Review, Winter 2016. 

“ ,”  First Class Literary Magazine, January 18 2016.

“ ,”  JMWW, Winter 2015. 

“Minor White in Love” and “Minor White, Found Text #1,”  Stoneboat 6.1 (Fall 2015) pp. 84-85.

“ ” and “ ”  Caveat Lector 26:1. Fall 2015. 

“Allen Ginsberg’s Penis,”  Four Ties Literary Review, 4.1. Summer 2015.

“ ,” “ ,” and “ .”  Misfit Magazine, Issue 15 Summer 2015.

“ ,”  Agave, 2.3, Winter 2015 p. 25. 

“Late Boneset (Eupatorium serotinum).”  Off The Coast, 21.1, Winter 2015. 

Indians in the Neighborhood,”  Prick of the Spindle, volume 8.3, Fall 2014.

“ ,”  War Literature and the Arts, volume 26, Fall 2014.

“Paris 1920: Ho Chi Minh Reads Lenin’s  Theses on the National and Colonial Questions.”Anak Sastra #16, Summer 2014, p. 50. 

“ ” and “ .”  Shout Out U.K., May 31, 2014.

  The New Poet, Spring 2014 (30 Days of Poetry series). 

“Tithonus to Aurora” and “Guernica Obscura,” Milo Review, Volume 2, issue 1; Spring 2014. 

“ ,”  Hamilton Stone Review, #30 Winter-Spring 2014. 

“‘Duke Ellington Listening to Playback, Los Angeles 1960’ by Gordon Parks. Gelatin Silver Print,” Milo Review, Volume 1; Issue 3, Winter 2013.

 ”Ho Chi Minh at Mouth of Source, 1941,”  Cactus Heart, Issue 6, Fall 2013. 

“ ,”  Sleet Magazine, Volume 5, Number 2, Fall 2013.  

”The Campus Novel in my Head,”  Milo Review, Volume 1, issue 2, Fall 2013. 

“ ,”  Misfit Magazine, Issue 5, Late Summer 2013.

“Contact Hours,” “Meadowland Review,” Summer 2013, p. 11.

“ ,”  Sugar Mule, 44, Summer 2013.

“ ,”  The Ilanot Review, Summer 2013. 

“Ho Chi Minh’s Women,”  Milo Review, Volume 1, issue 1, Summer 2013.

“ ”  Untitled with Passengers, June 18, 2013.

“ ,”  Misfit Magazine, Issue 3, Late Spring 2013. 

“ ,”  Misfit Magazine, Issue 2, Spring 2013. 

“Birding the Waukegan Superfund Site” in  Dead Flowers: A Poetry Rag, Volume 1, Number 8, 2013.

Collaborating writer in  , eds. Conner and Van Loon, Anobium Books, 2013.

“My Trail” in  The Great Lakes Book Project: An Anthology of Creative Non-Fiction, ed. Knoblock, Felix Exi Books, 2013. 

“Games with the Poet,”  Anobium, Volume 2, 2012.

“ ,”  Cabinet Magazine 6 (Spring 2002).

“An Easter Monologue,”  Jewish Currents 47.4 (1993): 27-31.

“Swimming with the Baby,”  Ascent 17.2 (1993): 13-17.

“Night Reference,”  Willow Review (Spring 1991): 35-42.

“His Portrait.”  Whetstone 5 (Fall 1988): 72-7.

“Faculties,”  Hayden’s Ferry Review 2 (Spring 1987).

Awards and Honors

Great Teacher Award, 91社区

Phi Beta Kappa, New York University